Letter from Brooklyn by Jacob Scheier
Author:Jacob Scheier
Language: eng
Format: epub
Publisher: ECW Press
Published: 2013-03-24T16:00:00+00:00
EXPLAINING SONNET 73 TO THE ALIENS
Let’s call the speaker of this poem “you.”
You are speaking to me in metaphors,
which are kinds of lies.
You begin by telling me you are the season, autumn.
Well, you are the end
of autumn. More specifically, you are the leaves
that have changed colour and fallen
from a tree. Well, most of them have fallen.
You are the few leaves that haven’t fallen
in the tree limbs that shake in the wind.
You are trying to tell me
you feel old. Though it is worth mentioning
the leaves will grow back
in a year’s time. A year is not that long,
really. You want to be the trees, too.
You are the whole damn season.
You are the branches, you say,
and you are empty. Your limbs
are ruined choirs, because
the birds that sang on them are gone.
This alludes to monasteries, which were houses,
where men did little else
but eat, sleep, sing, and pray.
These houses were destroyed.
Though not by time.
But in a way by time.
A prayer is an asking of strength
and an asking that when that strength
doesn’t come, we are strong enough
to endure without it.
You compare yourself to when the sun sinks.
Even though many couples
enjoy spending this time together,
you turn it into a negative thing.
You think of nighttime as Death’s avatar
in the world of the living.
You say all this in a fairly precise rhythmic pattern.
It sounds like an old clock.
We seem to think we talk like the sound of time being measured.
Or how time used to sound
being measured.
There is also a scheme to rhyme.
The last words of certain lines sound
similar to the last words of other lines. I’m sorry,
that’s not a good explanation.
Rhyme is hard to define.
The dictionary says it’s when one word agrees with another,
terminally, which strikes me as a good definition
for a lot things.
For your final lie,
you tell me you are a fire going out.
You observe that fire extinguishes, once it burns,
everything it uses to sustain itself.
So your youth, you tell me, is no longer
the solid wood it once was.
You end by stating our fleeting presence here
causes us to love well, or at least
more stubbornly. This is said
in a couple of rhyming lines
which for poems like this are a kind of punch line
to a joke that isn’t supposed to be funny.
Jokes are like prayers.
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